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३१ बिहिबार, बैशाख २०८३12th April 2026, 11:00:16 am

Putana in Kathmandu: When Moral Motherhood Turns into Political Poison

३१ बिहिबार , बैशाख २०८३३ घण्टा अगाडि

Putana in Kathmandu: When Moral Motherhood Turns into Political Poison

In Hindu mythology, some villains arrive with noise, but then there is Putana. Putana does not enter history as a catastrophe. She enters as a solution. According to the Bhagavata Purana, King Kamsa, terrified by a prophecy that the infant Krishna would end his rule, sends Putana to kill the child. But Putana does not arrive with weapons, slogans, or a press conference. She arrives in the most trusted disguise in human history: the guise of care. She enters the home of Yashoda and Nanda, picks up the infant, and feeds him her breast milk. Only the milk is poisoned. Because nothing in that scene suggests violence, it reads as motherhood, highlighting how political symbols can appear genuine while relying on societal trust that is fragile and easily exploited in Nepal. Putana is not dangerous because she is obvious. She is dangerous because she is acceptable, which should make the audience feel the fragility of societal trust and its exploitation.

Krishna, being Krishna, ends the story in a way that is dramatically unfair to Putana. But politically speaking, the real lesson is not divine victory. It is misrecognition. Societies fail not because they do not see danger, but because Danger learns to dress properly. Nepal, of course, has never been short on political theater. If anything, it suffers from an oversupply. But every so often, the theater stops being metaphorical and becomes literal. The Gen-Z uprising on September 8 and 9 was one such moment. It was not just a protest. It was generational fatigue turning into public speech. Corruption had stopped being scandalous in Nepal a long time ago. It had become administrative background noise, like power outages or optimistic budget speeches.

Into this environment stepped Balendra Shah. Balendra did not initially behave like a traditional politician. That was the point. He acted like a system interruption, a glitch in the well-trained machinery of Nepali political continuity, where every crisis is eventually resolved by a committee that promises another committee. Alongside him, the Rastriya Swatantra Party became the electoral expression of this interruption. It was not a revolution, but it was something rarer in Nepali politics: a collective refusal to repeat last season’s disappointment, even in slightly different packaging.

And then came Sushila Karki. In the movement’s emotional grammar, she was not merely a constitutional actor. She became something closer to symbolic moral architecture, a figure associated with judicial discipline, institutional seriousness, and the rare ability to say “no” in a system that usually treats “no” as a polite suggestion. In Gen-Z’s political imagination, she was adopted as a kind of moral mother. At this point, Nepal was no longer doing politics. It was doing emotional outsourcing. When institutions fail, people do not just demand leaders; they demand change. They start assigning emotional roles. This is where things get interesting. The election that followed the uprising carried unusual weight. Reform-oriented forces won overwhelming support. For a brief moment, Nepal seemed to be attempting something it has historically struggled with: not rotating elites but rethinking legitimacy itself.

Of course, reality does not respect brief moments. Governance arrived the way it always does in Nepal: not as transformation but as resistance management. Within roughly one and a half months of the new government, Balendra’s administration began signaling reform across the bureaucracy, judiciary, and governance structures. As with all reforms in Nepal, it quickly discovered a national sport more powerful than football: institutional waiting. Nepali systems do not break. They only delay.

And then, television happened. Sushila Karki publicly stated that Balendra Shah and the RSP were no different from traditional political parties, both equally corrupt and equally compromised. In a normal democracy, criticism is healthy. In a functioning democracy, it is expected. In Nepal, it is also televised. But timing is a political matter, and this should make the audience feel the importance of patience and strategic timing in political reforms and the use of symbolism. Now, in a fragile transitional phase, declaring a six-week-old government morally identical to entrenched structures risks the premature collapse of distinctions vital to reform’s success. And distinction is what reform actually depends on. At this point, Nepal’s favorite secondary industry sprang into action: interpretation. Some argued that the disagreement stemmed from administrative tensions, shifting alliances, and sidelined figures. Others, more creatively, suggested it stemmed from broken expectations, including speculation about political appointments and long-term positioning within the state hierarchy. In Nepal, every political disagreement eventually becomes a screenplay. Nobody remembers writing it, but everyone insists it is canon.

But beneath the rumor lies a more pressing question. What happens when moral authority speaks too soon in a transitional moment? This is where Putana returns, quietly, without knocking. Putana does not represent evil in a simplistic sense. She symbolizes misread intimacy and trust arriving too soon, emphasizing the danger of rushing to judgment in transitional moments that can undermine reform efforts. And that is exactly the danger in transitional democracies. The Gen-Z movement requires trust to function-trust in symbolic figures who embody reform or decay. Without it, the movement risks fragmentation and collapse. When moral figures collapse the distinction between emerging reform and entrenched decay too quickly, the result is not accountability. It is emotional flattening. Everything becomes the same. And when everything becomes the same, nothing is worth changing.

Now, there is a serious counterargument here that deserves acknowledgment rather than dismissal. Karki’s position can be read as institutional caution. Reform governments often begin with enthusiasm that exceeds administrative capacity. Democracies require restraint as much as momentum. It is entirely possible that her warning was not emotional but structural. Nepal, after all, has never suffered from too much optimism. It has suffered from optimism without results. But even caution has its timing. Because early-stage reform is not evaluated in the same way as mature governance, it is treated as a possibility. And possibility is fragile.

This is where the Putana metaphor becomes politically useful, not as an insult but as a warning. Putana is not dangerous because she is loud. She is dangerous because she is trusted. Once trust is used to deliver poison, the reaction is not merely rejection of the individual. It is a rejection of trust itself. That is the real risk in Nepal today. Not that reform will fail. But the public will conclude too soon that reform was never structurally possible. And once that belief settles, democracy does not collapse dramatically. It declines politely. It becomes permanently underwhelming. A country that once demanded change begins to expect repetition. A generation that once believed in interruption begins to specialize in disappointment. And politicians, naturally, adapt to disappointment. It is easier to govern a disappointed population than an expectant one. This is why mythology still matters. Putana is not a story about demons; it is a story about how societies misread danger when they learn the language of care.

And at this moment, Nepal is not struggling with one government or another. It is grappling with a more difficult question: whether it still believes that political transformation can endure long enough to be judged fairly. If every beginning is treated as betrayal, then nothing ever truly begins. In that case, Putana does not need to return. She becomes the way we see.

 

[Author Bio: Janardan Subedi is a commentator on society and civilizational thought. In “Janata-Janardan,” he explores contemporary issues through multi-disciplinary perspectives and the voice of the public.]